Lanternhouse, Ulverston, Cumbria.

Beginning a busy period for HELOpg is a performance as part of Open Circuit, being held at Lanternhouse, Ulverston. More details to come.

Leeds College of Music, Leeds.

At the Forum for Innovation in Music Production and Composition, Adam Jansch will be presenting a new paper on his research into the open outcome record.

Under the title 'Disrupting permanence, freeing from fixity: Tapes EP and the development of the open outcome record', the paper will contain information about Jansch's latest iOS music programming.

Norwich Arts Centre, Norwich.

Acting as delegate from the University of Huddersfield, Adam Jansch will be taking part in this year's LLEAPP event, an all-week workshop culminating in a concert of new pieces at Norwich Arts Centre, on Friday May 6th.

Stafford University, Staffordshire. 1.30pm.

HELOpg perform at the NoiseFloor Festival, hosted at Stafford University. With Adam Jansch joined by Sam Birkhead, Julian Brooks, Sam Freeman and Scott Hewitt, expect some classic laptop improvisation integrated with the NoiseFloor multi-speaker sound system.

Recordings of the performance will be made available at the HELOpg webspace.

SoundFjord gallery, London, N15 4ER. From 4pm, free entry.

SoundFjord is an exciting new gallery catering predominantly for sound art, and as part of their grand opening evening will be host to installations and performances from upcoming artists. One of the installations on show will be Adam Jansch's hardware pop piece The Chaos Engine, available for public listening for the first time.

Alongside other installations there is an evening of performances featuring mimoza|moize, Adam Baker and Claire M Singer + friend. The opening starts at around 4pm and is free.

Christ Church, Frome. 7.30pm, £8 (£5).

The group behind the Fylkingen concert return under the guise of radiosonic.ltd to bring their signature experimental and electronic sound to the Frome Festival. Travelling with an eight-channel speaker rig they present pieces by Monty Adkins, Rose Dodd, Bryn Harrison, Ben Isaacs and Adam Jansch, with Kate Ledger on piano.

radiosonic.ltd will present their sound at 7.30pm on Wednesday July 14th at Christ Church, Frome (PDF - location 24). Tickets are £8 (£5 concs.) and are available from the Frome Festival box office.

De Montfort University, Leicester. 2nd-4th June 2010.

Adam Jansch's second paper presentation sees him present a reworked version of his paper 'The voice and the vehicle: integrating live broadcast radio into automated live electronic works' at the Sound, Sight, Space and Play conference, hosted at De Montfort University. The paper covers three of Jansch's recent works: Synth Radio, The Chaos Engine and Travelling.

His presentation takes place at 14:30 on June 2nd in De Montfort's Clephan building.

Holmfirth Picturedrome, 8pm.

Adam Jansch's Travelling received its premiere at this year's Holmfirth Film Festival as part of a night of soundtracks for silent films organised by the University of Huddersfield's music department.

Though Travelling is more of an experimental film than a silent film soundtrack it fitted in with what was a superb night, with soundtracks by Monty Adkins, Nick Williams, Johnny Herbert and Ben Isaacs, Samuel Stocks and Jonathan Rich.

Sleepers Bar, Huddersfield. 8pm.

For inclusive improv gig #4 a new electronic performance concept will be trialled - one man laptop bands. The idea behind it is to create pieces to run on multiple laptops with little or no need for musically experienced human performers. Fittingly, the gig will begin with Adam Jansch's Start up (v1.00), a simple piece that makes use of the Mac start up sequence. There will also be pieces by Scott Hewitt, Scott McLaughlin and Graham Booth.

The one man laptop band pieces are followed by Softly Tinned, the electronic duo of Tom Riley and Hali Santamas. Entry is free, just buy a drink or two. Visit the ii Gig #4 page for more information.

University of Huddersfield, St. Paul’s Hall (1pm-5pm) and Phipps Hall (3pm-7pm).

The second event under the ‘in tones’ name, in tones: organ/radio/television/internet took place in both St. Paul’s Hall and Phipps Hall and featured works by Richard Glover, Adam Jansch, Claire M Singer and Richard Warp, utilising a range of media implementations.

University of Huddersfield, Creative Arts Building atrium.

miniWofS was conceived by Scott Hewitt and Scott McLaughlin as little brother to Week of Speakers, and was first held on one day in November 2009 using a changing system of six or eight speakers. Also, miniWofS trialled a different format, being split into two distinct events: a low volume set of installations during the day, and a louder group of pieces in the evening.

This miniWofS featured works by Hewitt and McLaughlin, Sam Freeman, Sam Horseman, Monty Adkins, Geoff Cox and Graham Booth. And of course not to forget Adam Jansch’s Ping Pong Polyfilla, played in the installation segment. More details of miniWofS 2009 can be found at the inclusive improv website.

Fylkingen Institute, Stockholm.

Comprised of two concerts featuring composers of the University of Huddersfield, as well as from Scotland, Sweden and New Zealand, the Fylkingen concerts constituted Jansch’s first international performances.

Organised by Rose Dodd and Monty Adkins, the first concert featured a diverse range of pieces, including Jansch’s Synth Radio and Vortex. The second concert was more electroacoustic, with pieces by James Gardner and Claire M Singer, with a highlight being a showing of her video piece a fás soilleir.

University of Huddersfield, Creative Arts Building atrium. 22nd-24th June 2009.

The brainchild of Scott Hewitt, Week of Speakers featured a sound system made up of 28 speakers, distributed over the four floors of the atrium of the University of Huddersfield’s Creative Arts Building. A range of pieces featured in Week of Speakers over the three days including acousmatic, live electronic and network pieces.

University of Huddersfield, Phipps Hall. From 6pm, free entry.

“Spend an evening within the spectra of an electro-instrumental sonic environment: in tones.”

in tones: organ/cassette/synthesizer was the first in a series of concerts to be planned by Adam Jansch and Richard Glover. It featured three extended pieces designed specifically for University of Huddersfield’s newest performance space, Phipps Hall.